Expand Creative Possibilities
Talent, wardrobe and product, in a studio you set up once. Pick from what you saved. No prompting required.
On-Model is the studio day, without the studio.
Put the garment on a model, add the product when the shot needs one in hand, and set it in a studio your team built and saved. Every decision is a picker rather than a prompt box: saved talent, saved outfits, saved studio styles, and the client's own product images. What comes out is the range — product page frames, landing pages, email and the always-on social a brand needs every week.
What you get

Pick it, do not describe it.
Every decision is a picker: the garment, the talent, the studio, the frame. Nobody on the team has to be good at writing prompts to get a usable shot.

The same face across the range.
Cast once and reuse. A brand keeps its people consistent across a season instead of meeting a new stranger on every product.

How it works
Pull garments from the brand's connected images, load a saved outfit, or upload the range. Add the product alongside it when the shot needs one in hand.
Choose talent you have already saved so the same face runs across the whole range, and set the shot in a studio style your team built or one of the official drops.
Choose the shot — full body, seated, side, back, fit detail — set the ratio and resolution, and run the set. The cost sits on the button before you commit.
Build your stack
FAQ
Dress the shot from the range.
Build an outfit once and use it again. Pull garments straight from the brand's connected images, or upload the season.
Build the set, then keep it.
Create a studio style, save it, and every shoot from then on lands in the same light. Or start from an official drop and make it the agency's own.

The shots a product page actually needs.
Full body, half body, seated, side view, back view and fit detail. The frames retail asks for, without describing a camera position to get them.

Wardrobe and product in one shot.
Add the product alongside the garment when the shot needs both, pulled from the brand's own assets so it is the real thing in frame.
Keep directing after the shot exists.
Change the background, a colour treatment or a single element without re-running the whole set.

Know what the set costs.
Choose how many frames to run and see the estimate before it starts, billed at what the provider charges with no markup added.